Profil

Lizette Araceli Vargas Sanchez

  • 75013 Paris, France

Profil de compétences

  • Secteurs
    • Cinéma
    • Événement & Concert
    • Théâtre & Spectacle vivant
    • TV & Médias
    • Studio
    • Broadcast TV (Live/Studio)
  • Métiers
    • Electricien(ne) (Électro)
    • Caméraman / Cadreur(euse)
    • Machiniste
    • 1er Assistant(e) Caméra
    • Acteur(trice)
    • Comedien(ne)
  • Matériels
    • DJI Ronin S
    • Blackmagic
    • Fujifilm XT-3
    • Sony
    • Arri Alexa Mini
    • RED
  • Logiciels
    • DaVinci Resolve
    • Final Cut
    • Adobe Photoshop
    • Adobe Premiere Pro

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Équipement

Matériel

Caméra 
 

Blackmagic pocket 4K

Fujifilm XT-3 
 

Moniteur 5.5"

Flash
 

Ronin-S

Fluid head tripod Allex

Support d'épaule Rig Kit 

Optique :

Rokinon 35mm

Tamron macro 90mm

Lumix HD zoom 12-35mm

Éclairage :

2 projecteurs : GVM CRI97 Lampe vidéo LED 300W avec boîte à lumière à lumière LED intensité Variable 3200K - 5600K Lumière LED Continue avec Bowens.
 

Panneau réflecteur Backdrop Porte-Bras avec Roue poignée pivotante Pince à Une tête
 

Gélatine CTO, CTB, Bleu, Violette, Vert

Son :

Tascam

Micro Rode

Double Micro Cravate sans système Fil
 

Langues

  • Espagnol
  • Français
  • Anglais
  • Italien

Résumé

My name is Lizette Araceli Vargas. 

I currently work as a cine-photographer and photographer in France. I'm specialized in cinematography. I directed photography in several fictional shortsfilms, like the documentary "Primitivo"; several video clips, among them "Negra calma". My last project as director of photography was the fictional short film “The clay and the girl” in Greece. I was the first photography assistant in a long film of a docu-fiction called "La vida es un Carnaval" in co-production France and Mexico. I have worked as a temporary staff in the large footage of "Los años azules", and during the last 4 years I have assisted the camera and lighting in different fictions in Mexico and France. 

I have taken lighting and cinematographic photography workshops with photographers such as Dean Cundey, ASC in his Master Class and Erika Licea, AMC in the CUEC, among others. It was in a year exchange in France, where I also had the opportunity to participate in several fiction projects as a gaffer and first assistant cameraman, among them a couple of video clips, which have been winners of several international awards.

 I had also worked for television events as a camera operator in France and Greece, as well as as a photographer, studio photographer and as a videographer/independent photographer in Mexico and Greece. 

I share my demo reel to show a bit of my job until now: https://m.youtube.com/watch?v=KFNdTTTdwrA

 

Expériences

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